Metamorphosis

Narrative Worldbuilding for Live Preformance

0:00/1:34

Metamorphosis is a live performance weaving story, sound, and projection to follow a butterfly’s life cycle—our metaphor for human growth, loss, and renewal. Together with screenwriter-performer Adeline Ferolo and projection designer August Graham, I shaped this work as a shared act of making. It lives only in the moment of performance, and then it’s gone.

What I do

  • Roles: storyteller, writer, narrator, soundscape designer, and storyworld builder.

  • Goal: anchor the show with sound that carries the narrative and deepens its emotional arc.

How I build the sound

  • Tools: field recordings, voice, foley, and REAPER for editing and manipulation.

  • Palette: a blend of natural and technological sounds to mirror modern life meeting older ways of knowing.

  • Arc:

    • A deep earth-rumble to suggest primordial forces.

    • Elemental passages—fire, thunder, wind, rain.

    • A soft, nurturing ambience of a caterpillar’s egg to signal beginnings.

Themes and influences

  • Transformation as a cyclical process: life, death, and rebirth.

  • Guided by cyclical concepts of time found in many traditions, including the Lakota sacred hoop (Deloria, 2003) and Aboriginal Australian Dreamtime (Rose, 2000).

  • Challenges the linear idea of “start” and “end,” offering continuity and return instead.

What audiences experience

  • An immersive, sensory journey where sound leads the way.

  • Space to reflect on personal cycles of change, grief, and renewal.

  • A felt sense that endings are also openings.

In short: the soundscape is the backbone of Metamorphosis—shaping a live, unrepeatable experience that uses the evolving sonic imagination to connect ancient cycles with contemporary life.